Archive for April 18th, 2010

Commanding from Great Heights

Tallest Man on Earth
El Mocombo
04.17.10
9/10

Undivided.  That was the attention Kristian Matsson aka Tallest Man on Earth commanded from the well-dressed folk/indie crowd  this cold Saturday night.  It was a sold out show and highly anticipated return from this unassumingly sweet Swedish singer/songwriter.  His intense scrawl stopped even the peanut gallery from the back bar to have a listen.

It can be tough for any solo act to fill out a half drunk crowd on any night, not to mention at the Elmo.  Nurses opened the night with an unmemorable set of yowls, tambourines, singalongs and tings that I could have personally lived without.

TMOE ran though his repetoire effortlessly with a powerful voice distinctly familiar to Dylan, Gutherie, Bon Iver, among others.  As blatant a similarity to the similarities to the great folk songwriters from the past, TMOE still maintained his own unique European sound that make it his own.  Highlights included his passionate “The Gardner”, “Honey won’t you let me in”, “King of Spain” and “Where do my bluebird fly”.  Matsson has great energy and movement during his intricate fingerpicking interludes, bouncing back and forth around the stage and making mysterious eye contact with whatever random crowd-folk he’d come across.

What stunned me most was the silence throughout most of the the set. Granted, there were still a few balks and clinks from empties from the back bar, but overall the crowd was here to really listen to TMOE..and I mean listen. This included minimal use of flash photography and blurry cell phone snapshots, or even beer runs. The aggressive shushing and the odd “shut the fuck up” only further demonstrated the miliant attention the crowd demanded.  This undivided attention only amplified his music, lyrics and stage presence.

TMOE even ended with a quiet love song, rather than a Dylan-esque power strum finale for his encore.  It was a gutsy move, but it paid off in spades.  The crowd stayed with him until the very end, uncovering how tall this little man’s music really is.

-REVIEWED BY: ROBB ENG

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